A group of six oddball but brave kids confront the trail of a immense and fearsome otherworldly malevolence that has infiltrated our existence from the deepest abyss of oblivion. They are compelled to spend their lifetimes battling it, enduring one nightmare after another in the struggle.
This is the plot, in essence, of Stephen King’s iconic book It (his best; undeniable). It similarly frames of Stephen King’s offspring Joseph Hillstrom King’s recent massive horror novel, in which a band of six call forth the primordial, infinitely malicious serpent the Sorrowful Monarch from the Long Dark to help them defeat some villains. As one might expect, their arcane ceremony goes awry.
Joe Hill launched his profession striving diligently to remain separate from his well-known dad, publishing under the pen name he continues to employ and avoiding meeting his agent (he possesses a uncanny likeness to his dad). But in this latest novel, he fully acknowledges it. Several quotes that intentionally mirror some of the senior author’s well-known (the famous Dark Tower introduction); a scene that recalls a signature King element (a battle of wits). In this whopper of a novel, Hill is delighting in his family connection, and we delight along with him.
Back to those friends: most are students at the fictional the esteemed institution in this northeastern locale. First is Arthur, studious and gifted, cracking historical enigmas in his spare time; another key figure, wealthy, clever, and prone to trampling anyone who stands in his way; twins Donna and Donovan; the attractive Allie herself. Additionally, Gwen appears, who doesn’t study with them, but assumes a vital role of their group as they toy, somewhat credulous, partly skeptical, in supernatural practices.
The protagonist finds himself, as a result of external pressures, compelled to pilfer prized manuscripts from his treasured institution’s archives by a bunch of local criminals. This devastates his scholarly soul, particularly as he’s forced to acquire the institution’s prized and chilling publication: the journal of occultist Enoch Crane (put to death “for dealing with infernal entities in 1703”; the book’s jacket is made from his skin). Our Scooby gang read the journal, learn they can invoke what the author references as a cunning serpent to assist Arthur with his blackmail problem – and spend the rest of the novel facing the fallout. King Sorrow will indeed rid them of those problematic neighborhood criminals, but they are required to pick a different victim every twelve months or fall prey to the beast. As our protagonist states: “You plant seeds of destruction, all you get is further monstrosities.”
Moving through four decades, Joe Hill transitions with effortless ease across narrative styles: as the friends endeavor to address the circumstances they find themselves in by, variously, choosing undeniably wicked targets to immolate, or searching for methods to kill the dragon themselves, we transition from suspense to dark fantasy, covert operations to love story to terror. My favorite genre switch was to a quest story, within the subterranean depths under the English county, a part tinged by JRR Tolkien that was wonderfully frightening.
We encounter trolls – the classic variety and digital trolls, properly scary and expertly realized. There are magical swords and treacheries, heart-stopping scenes of bravery and ones of dreadful evil, both human and extraterrestrial. This is a remarkable achievement: a frightening tale that is above all a ode to the human inventiveness, and to love and friendship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the allies sit around the table, getting ready to invoke their serpent into being with the force of their minds.
In the author’s own words in his epigraph: “Hic sunt dracones”. Do not overlook this.
A seasoned gaming analyst with over a decade of experience in online casino trends and strategy development.