For the most part, I've grown tired of undead films. Although classics like 28 Days Later along with the initial seasons of The Walking Dead were gripping, the genre feels mostly exhausted at this point. Even the much-awaited 28 Years Later has been sitting on my to-watch queue for some time. But, Netflix's new Southeast Asian horror film, The Elixir, succeeded in defy my expectations turning out remarkably enjoyable.
Superb Rhythm and Personal Development
Among the film's strongest assets is its excellent rhythm. It begins with a memorable opening sequence in which a peaceful family gathering gets suddenly interrupted by a van plows right into the guest area. From the wreckage, an extremely zombie-like individual stumbles out proceeding attacking the attendees. This dramatic moment is then followed by a look back, allowing us to observe the family prior to the tragedy struck.
Unlike many zombie films, The Elixir actually allows the audience sufficient opportunity to become acquainted with its main characters prior to the carnage begins. We meet Nes, a married mother with a ex best friend, Karina, is now wed to her dad—a clearly awkward situation. Naturally, this has understandably led to a rift among Nes and Karina. Then there's Nes' brother, Bang, who is good-natured yet a bit inept socially, and he enjoys gaming alongside his nephew, Raihan. Nes' husband, Rudi, appears to have recently cheated on her. This household patriarch is Nes' father, the owner of a popular herbal remedy business called Wani Waras, and he seems to care about just two aspects: his work and his wife to Nes' ex-best friend. Unsurprisingly, this family reunion is incredibly tense.
Invested in the Drama
I found myself so engrossed with this household's issues and their personal conflicts to the point I almost overlooked I was watching a scary movie—which might seem like a negative, yet in the end worked well. The Elixir spends a considerable portion of its runtime depicting us the identity of every relative is, plus the ways they contribute to the general dysfunction. This focus on conflicting traits allowed the audience to connect to the personalities sufficiently to care about their fate—a rare feat for this style which frequently presents characters only to eliminate them shortly afterwards. The Elixir avoids portraying its cast as flat, disposable victims for a horde of zombies to devour, so it's a real shock once events finally go wrong.
Evocative of Parasite
The initial scenes from the gathering and various household exchanges in fact bring to mind the movie Parasite, a story which disguises itself as a K-Drama featuring slightly dark humor prior to taking an abrupt turn into shocking ground. These introductory scenes aren't centered too heavily on comedy as Parasite, but The Elixir nonetheless provides enough opportunity to immerse in its world prior to everything gets turned upside down.
Unique Infection Origin
This movie also offers a quite interesting explanation for the source of the spreading zombification. Instead of an accidental lab leak or a type of biological weapon, the cause of this contagious disease originates in a recent sample of Wani Waras herbal remedies created by Nes' father. Although some background is provided something regarding how it started, it would have been better if the movie devoted additional focus explaining how Wani Waras went from a reputable purveyor of natural treatments to producing a deadly elixir which seems to include an extremely infectious virus. Despite the limited context, the impact this condition produces on people proves absolutely repulsive, which I love it. The Elixir's undead prove fast, bizarre in appearance, and, perhaps worst of all, constantly grinning. This represents a daring choice, but it succeeds. The Elixir's physical effects and CGI are also very realistic, and are practically guaranteed to provoke a fear of holes.
Resourceful Personalities
Even better than the gross-out scenes is the cast themselves. Of course, we see a few instances of questionable choices (as in typical undead film), however for the most part, Nes and her family are resourceful and quick-thinking. Additionally, they don't hesitate to kick an undead in the head, pierce it with a pitchfork, or beat it over the head with whatever blunt instrument they find rather than freezing like a deer in headlights as death approaches.
Believable Family Discord
The Elixir doesn't drop its focus on family conflict when people start turning into zombies, this proved a pleasantly realistic subversion from the "We don't get along|"We have issues, but since you nearly died I immediately forgive you for all your mistakes!" cliché often seen in apocalyptic films. Obviously, Nes cares for her family and values her spouse, Rudi, yet it's equally apparent she's still clinging to resentment regarding his infidelity of their marriage vows. Once the household becomes split up, they agree over the phone to regroup at a nearby location. However, once Bang admits he doesn't know the way to the location, Nes expresses an immense level of irritation on her brother which has obviously been building over time. Nes isn't flawless, and her family—flawed as it is—seem authentic and understandable because the film doesn't try to push the notion that a near-death experience instantly cures familial strife. This causes those instances when these characters do show gratitude for each other seem much more sincere.
Stereotypical Conclusion
Despite The Elixir's best attempts to innovate, the conclusion must be said to be a bit stereotypical. The Elixir isn't really offering up any deep message regarding relatives or community, as well. Rather, it's mostly serving up scares. But they're effective scares, and because the movie allows every personality sufficient space to grow and doesn't punish them for their imperfections, the outcome is a captivating and enjoyable